Taj Mahal and Statue of Liberty

Provide a 5 pages analysis while answering the following question: Taj Mahal and Statue of Liberty. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is required. Comparatively, The Statue of Liberty is a huge neoclassical monument on Liberty Island in the harbor of New York, modeled by Frederic Bartholdi and devoted on October 28, 1886. The sculpture, a present to the U.S from the populace of France, is of a robed statue of a female symbolizing Libertas, the Roman idol of liberty, who carries a torch and a tablet representing the law upon which is emblazoned the date on which America declared its Independence, July 4, 1776. A broken shackle rest near her feet. The sculpture has turned out to be a symbol of liberty and of the U.S.

According to the views of Tavernier, the French jeweler, who declared to had witnessed the building of the Taj Mahal from the start to end, the monument of white marble was put up in the era when the wealth of the Mughal Kingdom was such that simply the premium resources were used for the construction and its decoration plus the excellence of the craftsmanship present in India was almost certainly better compared to any preceding period. Acknowledged for its symmetry, the tomb is placed on a hoisted platform encircled by minarets. Inside of the mausoleum is fragile works of mosaic and limestone walls ornamented with complicated designs of inlaid valuable stones. The royal leader Shah Jahan is believed to have celebrated the centenary of his wife’s loss in the tomb, going down on his knees before the monument of white marble with ornaments and semiprecious gems studded into it, while prayers were offered for the calm and peace of the soul of the Empress’. Disproving the romanticism of the aforesaid, many modern historians argue that the Taj Mahal is a burial chamber far too impressive to honor the reminiscence of one female, even the beloved wife of a royal leader, states Amina Okada and M.C. Joshi in&nbsp.Taj Mahal (1993). A number of historians consider, resume Okada and Joshi, that at the back of the tombstone’s exquisiteness and&nbsp.magnificence of structure, at the back of the spotlessness of its boundary, and behind the sober elegance of its beautification is a dictatorial king vaunting his splendor and generosity to the world.

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